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When we think of Robert Lewis Dabney, most associate him with his systematic theology or the War Between the States. He was one of the most prominent American theologians of the 19th century, and notably served as chief of staff for Gen. Stonewall Jackson during the War. He wore many others hats as well as a farmer, an architect, a professor, a pastor, and a poet.
The last hat mentioned is one that — contrary to popular impressions of Presbyterian divines as disinclined to artistic interests — is shared by many authors on Log College Press: B.B. Warfield, Geerhardus Vos, J. Addison Alexander, Samuel Davies, Charles L. Thompson, Henry J. Van Dyke, Jr., and many more come to mind, who were all known for their poetry. Dabney is a name rarely included in such a list, but it should be.
In Dabney’s case, there are some remarkable and fascinating poetic compositions that are very much worth noting, which help us today to better understand the many facets of his character. Some of his poems were published — in periodicals and/or Thomas C. Johnson’s biography of Dabney — and some were instead shared privately. His biographer notes that his poetry was not of the highest quality, but often expressed his passion. Few would say that Dabney's poetry was his forte, but he certainly applied himself to verse in his "leisure hours."
If the art of poetry be the art of apprehending and interpreting ideas by the faculty of the imagination, the art of idealizing in thought and expression, then Dr. Dabney possessed the art. That he had the necessary constructive imagination, and the power of expressing himself in the concrete, simply and sensuously, there is no ground for doubt. He usually attempted poetical composition, too, only on subjects on which he felt very deeply. In consequence, most of his work of this sort had the ring of passion. (T.C. Johnson, The Life and Letters of Robert Lewis Dabney, p. 455)
Recently, we have made an effort to identify and compile many of his known, published poems to provide a glimpse into his powers of imagination. Today, we will look briefly at some of his poems as found on Log College Press.
Tried, But Comforted — First published in The Central Presbyterian in 1863, this poem is also found in Johnson’s biography. It was written after the death of his five-year-old son, Tom, who died in 1862 and was buried in the same cemetery in which his father would later be laid to rest. Dabney’s heart was “bursting,” but he had hope that he would follow little Tom “to Christ, our Head.”
The Christian Womans Drowning Hymn: A Monody — Written in 1886, this poem was published in his Discussions, Vol. 4 (1897). The story behind the poem is this: “(A Christian lady and organist, went July 1886, with, and at the request of her sister, for a few days" excursion to Indianola. They arrived the day before the great night storm and tidal wave, which submerged the town. Both the ladies and children, after hours of fearful suspense, were drowned, the house where they sought refuge being broken to pieces in the waves. A survivor stated that the organist spent much of the interval in most moving prayer. Their re- mains were recovered on the subsidence of the tempest, and interred at their homes., amidst universally solemn and tender sympathy. The following verses are imagined, as expressing the emotions of the Christian wife, sister and mother, during her long struggle with the waters.”
Dream of a Soldier — This poem was written in 1886, but only referenced, not included, in Johnson’s biography, apparently because it was so dark and bitter (reflecting Dabney’s feelings about the War) that Dabney’s biographer thought it best to not publish it.
General T.J. Jackson: An Elegy — Written in 1887 (over two decades after the death of his beloved general), this tribute appeared in Discussions, Vol. 4. (1897). It is a noble lament for his dear friend, highlighting the loss keenly felt by Robert E. Lee and the South.
The Texas Brigade at the Wilderness — Written in May 1890, this poem also appeared in Discussions, Vol. 4 (1897). It memorializes the valor of the Texas Brigade at the Battle of the Wilderness, which took place in central Virginia in May 1864.
The Death of Moses — This poem was published in the Jan.-Feb. 1891 issue of The Union Seminary Magazine. It is largely an imagined speech delivered by Moses before his entrance into the Heavenly Canaan.
Annihilation — This eschatological defense of traditional views of heaven and hell as opposed to the idea of “soul sleep” (an idea refuted by John Calvin in his Psychopannychia, but which nevertheless lingers) appeared in the January 1893 issue of The Presbyterian Quarterly.
The San Marcos River — Dabney’s time spent in central Texas inspired this poetic composition, which is found in Discussions, Vol. 4 (1897).
A Sonnet to Lee — This tribute to General Robert E. Lee appeared in Discussions, Vol. 4 (1897).
Lines Written on the Illness of His Granddaughter — Dictated in 1897 (he was blind by then), these verses were composed when his beloved granddaughter Marguerite lived with him for a time at Asheville, North Carolina. She died in 1899, a year after Dabney, at the age of 17.
Conquest of the South — An extract from this poem is given in Johnson’s biography (1903) which expresses his his angst at “the present and impending degradation of his country.”
Christology of the Angels — This epic poem, reminiscent of Milton’s Paradise Lost, remained unpublished in manuscript form until it was included in Discussions, Vol. 5 (1999). It is a 115-page long celestial discourse between Gabriel, Michael and other angels on the second night after Jesus’ crucifixion.
