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Until the 1860’s, the Reformed Presbyterian Church of North America (RPCNA) employed the 1650 Scottish Metrical Psalter (SMP) in its worship. But it was felt at that time that there was a need for a revised psalter.
In 1863, the RPCNA Synod minutes show that a communication was received from William W. Keys proposing the publication of a new edition of the Psalter with music settings appropriate to each Psalm. The Psalter project had apparently been initiated in 1860 (as the Preface tells us). The proposal was referred to a committee initially made up of T.P. Stevenson, A.C. Todd, N.R. Johnston and D.H. Coulter. The Psalter — known as the Keys Psalter — was published that year, and the following year Synod minutes show that Psalter had earned the endorsement of the special committee.
So in 1864, Synod recommended the Keys Psalter, which combined words and music on the same page and modernized some of the Scottish Psalter’s words (William J. Edgar, History of the Reformed Presbyterian Church of North America, 1871-1920, p. 23).
The Committee gave its report as follows (which was adopted):
Feeling the need and importance of earnest effort for the improvement of the service of song-in our church, and the desirableness of greater uniformity in the service among our congregations; appreciating, also, from our own examination, and on the testimony of competent judges, the manifold excellencies of this work, especially its retention of time honored-melodies and generally judicious adaptations of music to the sentiments of the Psalms; and believing that the employment of this book will prove a strong support in the advocacy of Scriptural Psalmody, and also a means of extending the use of the songs of inspiration throughout the churches; therefore,
Resolved, That we recommend the use of this book in all our congregations, as well adapted for the attainment of the specified ends.
We would further recommend, in this connection, that all our sessions be urged to take measures for the improvement of the service of praise in their respective congregations, and that to this end, they encourage the formation of singing classes, and attendance upon them. D. M'Allister, Chairman.
The Keys Psalter had help from some notable names, including
French-American composer Leopold Meignen (1793-1873) - who served as a bandmaster in Napoleon’s army before coming to the United States, and who contributed several tunes to the Keys Psalter; and
James M. Willson, Keys’ pastor until 1862, when Willson left First RPC in Philadelphia to fill the chair of Theology at RPTS, who helped divide Psalms into smaller sections with assigned tunes.
The tune “Keys,” composed by Dr. Leopold Meignen, is assigned to Psalms 33 and 98.
Keys in his Preface spoke to what he saw as the prime benefit of this new edition of The Psalms of David.
The superiority of this book over any other Psalm-Book heretofore published consists in the music being printed along with each Psalm, or portion of Psalm, throughout the entire book.
The advantage of this is two-fold: 1st. The precentor is not compelled to hurriedly select a tune at the same time that he is searching for the Psalm which has been announced. He knows that having found the Psalm, suitable music to be sung to it is there also, and all he has to think of is to have the tune properly pitched. 2d. There is no doubt or hesitation on the part of the congregation in commencing to sing, as all know precisely what tune is to be sung, and are prepared to commence as soon as the first note is given.
In a Preface to the second edition (published a month after the first), Keys quotes an endorsement from William Blackwood:
Every congregation in the country in which the 'Old Psalms' are used, will thank the author and publisher for this beautiful and admirably designed volume. * * * The airs are selected with taste and judgment. The harmony is delightful; and the general circulation of this book in churches would unquestionably promote in a very powerful manner the extension of congregational singing of a very high order. Every Psalm, and, in many of the longer ones, the portions of them suitable for a service, are provided with a proper air; and thus the book may be used in the pew, the lecture-room, or in the family, as well as by a precentor or leader.
The Keys Psalter is one of a series of editions approved by the RPCNA besides the old 1650 SMP, and it was followed by an 1889 split-leaf edition, and further editions in 1911, 1919, 1929, 1950, 1973 and 2009. Many of those later revisions took into account the work by Keys. For example, the tune Arlington, paired with Psalm 1, is also associated with Psalm 1 in the 1950 and 1973 editions (the former mentions the Keys Psalter in the Preface).
The Keys Psalter is an important step along the trajectory of psalmody in the RPCNA. Many editions were published in its heyday (at least 15 by 1874). Editions published in 1864 and 1865 are now available to peruse on Log College Press. We have little biographical information as of yet regarding William Wallace Keys, but we have learned when he lived (1832-1892), and where (primarily Philadelphia, although he died in Connecticut), and we take note of his arrangement of the tunes Kilmarnock and Wilson, as well as his driving passion to bring together words and music for the improvement of psalmody in the church. This was his motto, as shown on the cover of the Keys Psalter: “'I will sing with the spirit, and I will sing with the understanding also" — 1 Cor. 14:15.
I trust my efforts have been well directed and that the book may tend to the honour and glory of God, and to the delight of his people, by causing all who use it to "sing with the spirit and the understanding," and "with a loud noise skilfully." If so, then my design will be accomplished. — W.W. Keys
