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Have you visited our Compilations page lately? It is the home for many interesting works by denominations or groups of authors, but today we are highlighting the assembled psalters and hymnals which represent the sacred song utilized in the praise of God by American Presbyterians. This project is ongoing, but we invite you to check out what is currently available.

Psalters

The Psalms of David in Meeter [Kirk of Scotland] (1650)
The Book of Psalms [UPCNA] (1871)
The Book of Psalms: The Scottish Version Revised, and the New Versions Adopted by the United Presbyterian Church of North America [UPCNA] (1871)
The Psalter of the United Presbyterian Church of North America [UPCNA] (1887)
The Psalms: A Revision of the Scottish Metrical Version With Additional Versions [RPCNA] (1888)
The Psalter: With Music [RPCNA] (1890)
The Psalter, or, Book of Psalms: A Revision of the Metrical Version of the Bible Psalms, With Additional Versions [RPCNA] (1893)
The Psalter With Music [UPCNA] (1900)
The Psalms in Meter [Joint Committee] (1905)
The Psalter, or, Book of Psalms: A Revision of the Metrical Version of the Bible Psalms, With Additional Versions [RPCNA] (1907)
The New Metrical Version of the Psalms [Joint Committee] (1909)
The Psalter With Responsive Readings [UPCNA] (1912)
Psalter Hymns: For Use in Families, Sabbath Schools and Bible Classes, Young People's Societies, Prayer Meetings, and Union Services [UPCNA] (1912)
The Book of Psalms: Rendered in Metre and Set to Music [RPCNA] (1912)
The Book of Psalms: Rendered in Metre and Set to Music [RPCNA] (1920)

Note that the first Psalter employed by the RPCNA (besides the 1650 Scottish Metrical Psalter which it inherited - which is true for all branches of American Presbyterianism as well) was produced by William Wallace Keys in 1863, and is known to history as the Keys Psalter.

Hymnals (including Psalter-Hymnals)

[Isaac Watts] Psalms, Carefully Suited to the Christian Worship in the United States of America: Being an Improvement of the Old Versions of the Psalms of David; Allowed, by the Reverend Synod of New York and Philadelphia, to be Used in Churches and Private Families [PCUSA] (1787)
[Isaac Watts] Psalms, Carefully Suited to the Christian Worship in the United States of America: Being an Improvement of the Old Versions of the Psalms of David; Allowed, by the Reverend Synod of New York and Philadelphia, to be Used in Churches and Private Families [PCUSA] (1787, 1794)
Psalms and Hymns Adapted to Public Worship, and Approved by the General Assembly of the Presbyterian Church in the United States of America [PCUSA] (1830)
[George Fleming] Psalms and Hymns, Adapted to Public Worship, and Approved by the General Assembly of the Presbyterian Church in the United States of America [PCUSA] (1834, 1835)
Sacred Harmony: A Selection of Plain Tunes Adapted to the Use of the Psalms of David [Associate Reformed Synod of New-York] (1834)
Devotional Hymns Adapted to Social, Private and Public Worship [Old School PCUSA] (1842)
Church Psalmist, or, Psalms and Hymns: For the Public, Social, and Private Use of Evangelical Christians [New School PCUSA] (1843)
Parish Psalmody: A Collection of Psalms and Hymns For Public Worship (1844)
The Presbyterian Psalmodist: A Collection of Tunes Adapted to the Psalms and Hymns of the Presbyterian Church in the United States of America [PCUSA] (1852)
Hymnal of the Presbyterian Church [PCUSA] (1867)
Psalms and Hymns For the Worship of God: Approved by the General Assembly of the Presbyterian Church in the United States, at Its Meeting in Memphis, Tennessee, November, 1866 [PCUS] (1867)
The Sacrifice of Praise: Psalms, Hymns, and Spiritual Songs Designed For Public Worship and Private Devotion, With Notes on the Origin of Hymns (1869)
The Presbyterian Hymnal [PCUSA, music and words] (1874)
The Presbyterian Hymnal [PCUSA, words only] (1874)
The New Psalms and Hymns [PCUS] (1901)
Bible Songs: A Collection of Psalms Set to Music For Use in Church and Evangelistic Services, Prayer Meetings, Sabbath Schools, Young People’s Societies, and Family Worship [UPCNA] (1901)
The Book of Common Worship [PCUSA] (1906)
The Psalter Hymnal: The Psalms and Selected Hymns [UPCNA] (1927)

Note that other hymnals are available on individual pages, such as Archibald Alexander, A Selection of Hymns, Adapted to the Devotions of the Closet, the Family, and the Social Circle (1831); Leonard Woolsey Bacon, Congregational Church-Music; With 150 Psalms and Hymns (1854); Nathan Sidney Smith Beman, Sacred Lyrics: or, Select Hymns, Particularly Adapted to Revivals of Religion, and Intended as a Supplement to Watts (1832) and Sacred Lyrics, or Psalms and Hymns Adapted to Public Worship (1841); Louis FitzGerald Benson, The Hymnal (1895) and The Chapel Hymnal (1898, 1910), as well as others; Henry Augustus Boardman, A Selection of Hymns: Designed as a Supplement to the “Psalms and Hymns” of the Presbyterian Church (1861) and Hymns of Praise (1867); George Buist, A Collection of Hymns for Public and Private Worship, Approved by the Presbytery of Charleston (1796); Thomas Cleland, Evangelical Hymns, For Private, Family, Social, and Public Worship (1831); Henry Sloane Coffin, Hymns of the Kingdom of God: With Tunes (1910); William Coombs Dana, A Collection of Hymns: Supplementary to the Psalms and Hymns of Dr. Watts (1859); James Gallaher, New Select Hymns, Designed to Accompany Watts’ Psalms & Hymns (1835); Edwin Francis Hatfield, Freedom's Lyre: or, Psalms, Hymns, and Sacred Songs, For the Slave and His Friends (1840), The Church Hymn Book, With Tunes; For the Worship of God (1872), and The Chapel Hymn Book, With Tunes; For the Worship of God (1873); Robert Pollok Kerr, Hymns of the Ages For Public and Social Worship (1891); Willis Lord, Hymns of Worship: Designed For Use Especially in the Lecture-Room, the Prayer-Meeting and the Family (1858); James Lyon, Urania: A Collection of Psalm-Tunes, Anthems and Hymns (1761); Lowell Mason, Church Psalmody: A Collection of Psalms and Hymns, Adapted to Public Worship (1831), and more; James Ormsbee Murray, The Sacrifice of Praise: Psalms, Hymns, and Spiritual Songs Designed For Public Worship and Private Devotion, With Notes on the Origin of Hymns (1869); Samson Occom, Hymns (1773 and A Choice Collection of Hymns and Spiritual Songs (1774, 1785); Charles Seymour Robinson, Songs of the Church: or, Hymns and Tunes For Christian Worship (1862, 1864), Songs For the Sanctuary: or, Hymns and Tunes For Christian Worship (1865, 1867), Psalms and Hymns, and Spiritual Songs: A Manual of Worship For the Church of Christ (1875); Philip Schaff, Hymns and Songs of Praise For Public and Social Worship (1874); Gardiner Spring, The Brick Church Hymns, Designed For the Use of Social Prayer Meetings and Families, Selected From the Most Approved Authors and Recommended by Gardiner Spring, D.D., Pastor of Said Church (1823); Nathan Strong, The Hartford Selection of Hymns From the Most Approved Authors (1799); Thomas DeWitt Talmage, Many Voices; or, Carmina Sanctorum (1891); Robert Ellis Thompson, The National Hymn-Book of the American Churches (1893); Henry Jackson Van Dyke, Jr., The Church Psalter: One Hundred and Four Psalms Arranged Under Subjects For Responsive Reading (1891); James Patriot Wilson, Sr., Hymns For Social Worship, Collected From Various Authors (1817); and Samuel Ramsey Wilson, Hymns of the Church, Ancient and Modern, For the Use of All Who Love to Sing the Praises of God in Christ, in the Family, the School, or the Church; With a Discourse on Music as a Divine Ordinance of Worship (1872); among many others.

There is much matter here for those who wish to explore how early American Presbyterians offered “the sacrifice of praise, the fruit of lips” (Heb. 13:15) in the sanctuary. The questions raised by the regulative principle of worship about the content of song to be used (inspired psalms or uninspired hymns), as well as the propriety and practicality of instrumental accompaniment, are dealt with in a whole other body of literature to which we have alluded in the past. This collection on the pages of Log College Press is drawn to a great extent from the Louis FitzGerald Benson Collection of Hymnals and Hymnody at the library of Princeton Theological Seminary, as well as from a variety of other sources. We continue to add more literature related to psalmody and hymnody often so be sure to check back here periodically as our collection grows.

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Until the 1860’s, the Reformed Presbyterian Church of North America (RPCNA) employed the 1650 Scottish Metrical Psalter (SMP) in its worship. But it was felt at that time that there was a need for a revised psalter.

In 1863, the RPCNA Synod minutes show that a communication was received from William W. Keys proposing the publication of a new edition of the Psalter with music settings appropriate to each Psalm. The Psalter project had apparently been initiated in 1860 (as the Preface tells us). The proposal was referred to a committee initially made up of T.P. Stevenson, A.C. Todd, N.R. Johnston and D.H. Coulter. The Psalter — known as the Keys Psalter — was published that year, and the following year Synod minutes show that Psalter had earned the endorsement of the special committee.

So in 1864, Synod recommended the Keys Psalter, which combined words and music on the same page and modernized some of the Scottish Psalter’s words (William J. Edgar, History of the Reformed Presbyterian Church of North America, 1871-1920, p. 23).

The Committee gave its report as follows (which was adopted):

Feeling the need and importance of earnest effort for the improvement of the service of song-in our church, and the desirableness of greater uniformity in the service among our congregations; appreciating, also, from our own examination, and on the testimony of competent judges, the manifold excellencies of this work, especially its retention of time honored-melodies and generally judicious adaptations of music to the sentiments of the Psalms; and believing that the employment of this book will prove a strong support in the advocacy of Scriptural Psalmody, and also a means of extending the use of the songs of inspiration throughout the churches; therefore,
Resolved, That we recommend the use of this book in all our congregations, as well adapted for the attainment of the specified ends.
We would further recommend, in this connection, that all our sessions be urged to take measures for the improvement of the service of praise in their respective congregations, and that to this end, they encourage the formation of singing classes, and attendance upon them. D. M'Allister, Chairman.

The Keys Psalter had help from some notable names, including

French-American composer Leopold Meignen (1793-1873) - who served as a bandmaster in Napoleon’s army before coming to the United States, and who contributed several tunes to the Keys Psalter; and
James M. Willson, Keys’ pastor until 1862, when Willson left First RPC in Philadelphia to fill the chair of Theology at RPTS, who helped divide Psalms into smaller sections with assigned tunes.

The tune “Keys,” composed by Dr. Leopold Meignen, is assigned to Psalms 33 and 98.

Keys in his Preface spoke to what he saw as the prime benefit of this new edition of The Psalms of David.

The superiority of this book over any other Psalm-Book heretofore published consists in the music being printed along with each Psalm, or portion of Psalm, throughout the entire book.
The advantage of this is two-fold: 1st. The precentor is not compelled to hurriedly select a tune at the same time that he is searching for the Psalm which has been announced. He knows that having found the Psalm, suitable music to be sung to it is there also, and all he has to think of is to have the tune properly pitched. 2d. There is no doubt or hesitation on the part of the congregation in commencing to sing, as all know precisely what tune is to be sung, and are prepared to commence as soon as the first note is given.

In a Preface to the second edition (published a month after the first), Keys quotes an endorsement from William Blackwood:

Every congregation in the country in which the 'Old Psalms' are used, will thank the author and publisher for this beautiful and admirably designed volume. * * * The airs are selected with taste and judgment. The harmony is delightful; and the general circulation of this book in churches would unquestionably promote in a very powerful manner the extension of congregational singing of a very high order. Every Psalm, and, in many of the longer ones, the portions of them suitable for a service, are provided with a proper air; and thus the book may be used in the pew, the lecture-room, or in the family, as well as by a precentor or leader.

The Keys Psalter is one of a series of editions approved by the RPCNA besides the old 1650 SMP, and it was followed by an 1889 split-leaf edition, and further editions in 1911, 1919, 1929, 1950, 1973 and 2009. Many of those later revisions took into account the work by Keys. For example, the tune Arlington, paired with Psalm 1, is also associated with Psalm 1 in the 1950 and 1973 editions (the former mentions the Keys Psalter in the Preface).

The Keys Psalter is an important step along the trajectory of psalmody in the RPCNA. Many editions were published in its heyday (at least 15 by 1874). Editions published in 1864 and 1865 are now available to peruse on Log College Press. We have little biographical information as of yet regarding William Wallace Keys, but we have learned when he lived (1832-1892), and where (primarily Philadelphia, although he died in Connecticut), and we take note of his arrangement of the tunes Kilmarnock and Wilson, as well as his driving passion to bring together words and music for the improvement of psalmody in the church. This was his motto, as shown on the cover of the Keys Psalter: “'I will sing with the spirit, and I will sing with the understanding also" — 1 Cor. 14:15.

I trust my efforts have been well directed and that the book may tend to the honour and glory of God, and to the delight of his people, by causing all who use it to "sing with the spirit and the understanding," and "with a loud noise skilfully." If so, then my design will be accomplished. — W.W. Keys

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