Log College Press is the Place to Find American Presbyterian Psalters and Hymnals

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Have you visited our Compilations page lately? It is the home for many interesting works by denominations or groups of authors, but today we are highlighting the assembled psalters and hymnals which represent the sacred song utilized in the praise of God by American Presbyterians. This project is ongoing, but we invite you to check out what is currently available.

Psalters

  • The Psalms of David in Meeter [Kirk of Scotland] (1650)

  • The Book of Psalms [UPCNA] (1871)

  • The Book of Psalms: The Scottish Version Revised, and the New Versions Adopted by the United Presbyterian Church of North America [UPCNA] (1871)

  • The Psalter of the United Presbyterian Church of North America [UPCNA] (1887)

  • The Psalms: A Revision of the Scottish Metrical Version With Additional Versions [RPCNA] (1888)

  • The Psalter: With Music [RPCNA] (1890)

  • The Psalter, or, Book of Psalms: A Revision of the Metrical Version of the Bible Psalms, With Additional Versions [RPCNA] (1893)

  • The Psalter With Music [UPCNA] (1900)

  • The Psalms in Meter [Joint Committee] (1905)

  • The Psalter, or, Book of Psalms: A Revision of the Metrical Version of the Bible Psalms, With Additional Versions [RPCNA] (1907)

  • The New Metrical Version of the Psalms [Joint Committee] (1909)

  • The Psalter With Responsive Readings [UPCNA] (1912)

  • Psalter Hymns: For Use in Families, Sabbath Schools and Bible Classes, Young People's Societies, Prayer Meetings, and Union Services [UPCNA] (1912)

  • The Book of Psalms: Rendered in Metre and Set to Music [RPCNA] (1912)

  • The Book of Psalms: Rendered in Metre and Set to Music [RPCNA] (1920)

Note that the first Psalter employed by the RPCNA (besides the 1650 Scottish Metrical Psalter which it inherited - which is true for all branches of American Presbyterianism as well) was produced by William Wallace Keys in 1863, and is known to history as the Keys Psalter.

Hymnals (including Psalter-Hymnals)

  • [Isaac Watts] Psalms, Carefully Suited to the Christian Worship in the United States of America: Being an Improvement of the Old Versions of the Psalms of David; Allowed, by the Reverend Synod of New York and Philadelphia, to be Used in Churches and Private Families [PCUSA] (1787)

  • [Isaac Watts] Psalms, Carefully Suited to the Christian Worship in the United States of America: Being an Improvement of the Old Versions of the Psalms of David; Allowed, by the Reverend Synod of New York and Philadelphia, to be Used in Churches and Private Families [PCUSA] (1787, 1794)

  • Psalms and Hymns Adapted to Public Worship, and Approved by the General Assembly of the Presbyterian Church in the United States of America [PCUSA] (1830)

  • [George Fleming] Psalms and Hymns, Adapted to Public Worship, and Approved by the General Assembly of the Presbyterian Church in the United States of America [PCUSA] (1834, 1835)

  • Sacred Harmony: A Selection of Plain Tunes Adapted to the Use of the Psalms of David [Associate Reformed Synod of New-York] (1834)

  • Devotional Hymns Adapted to Social, Private and Public Worship [Old School PCUSA] (1842)

  • Church Psalmist, or, Psalms and Hymns: For the Public, Social, and Private Use of Evangelical Christians [New School PCUSA] (1843)

  • Parish Psalmody: A Collection of Psalms and Hymns For Public Worship (1844)

  • The Presbyterian Psalmodist: A Collection of Tunes Adapted to the Psalms and Hymns of the Presbyterian Church in the United States of America [PCUSA] (1852)

  • Hymnal of the Presbyterian Church [PCUSA] (1867)

  • Psalms and Hymns For the Worship of God: Approved by the General Assembly of the Presbyterian Church in the United States, at Its Meeting in Memphis, Tennessee, November, 1866 [PCUS] (1867)

  • The Sacrifice of Praise: Psalms, Hymns, and Spiritual Songs Designed For Public Worship and Private Devotion, With Notes on the Origin of Hymns (1869)

  • The Presbyterian Hymnal [PCUSA, music and words] (1874)

  • The Presbyterian Hymnal [PCUSA, words only] (1874)

  • The New Psalms and Hymns [PCUS] (1901)

  • Bible Songs: A Collection of Psalms Set to Music For Use in Church and Evangelistic Services, Prayer Meetings, Sabbath Schools, Young People’s Societies, and Family Worship [UPCNA] (1901)

  • The Book of Common Worship [PCUSA] (1906)

  • The Psalter Hymnal: The Psalms and Selected Hymns [UPCNA] (1927)

Note that other hymnals are available on individual pages, such as Archibald Alexander, A Selection of Hymns, Adapted to the Devotions of the Closet, the Family, and the Social Circle (1831); Leonard Woolsey Bacon, Congregational Church-Music; With 150 Psalms and Hymns (1854); Nathan Sidney Smith Beman, Sacred Lyrics: or, Select Hymns, Particularly Adapted to Revivals of Religion, and Intended as a Supplement to Watts (1832) and Sacred Lyrics, or Psalms and Hymns Adapted to Public Worship (1841); Louis FitzGerald Benson, The Hymnal (1895) and The Chapel Hymnal (1898, 1910), as well as others; Henry Augustus Boardman, A Selection of Hymns: Designed as a Supplement to the “Psalms and Hymns” of the Presbyterian Church (1861) and Hymns of Praise (1867); George Buist, A Collection of Hymns for Public and Private Worship, Approved by the Presbytery of Charleston (1796); Thomas Cleland, Evangelical Hymns, For Private, Family, Social, and Public Worship (1831); Henry Sloane Coffin, Hymns of the Kingdom of God: With Tunes (1910); William Coombs Dana, A Collection of Hymns: Supplementary to the Psalms and Hymns of Dr. Watts (1859); James Gallaher, New Select Hymns, Designed to Accompany Watts’ Psalms & Hymns (1835); Edwin Francis Hatfield, Freedom's Lyre: or, Psalms, Hymns, and Sacred Songs, For the Slave and His Friends (1840), The Church Hymn Book, With Tunes; For the Worship of God (1872), and The Chapel Hymn Book, With Tunes; For the Worship of God (1873); Robert Pollok Kerr, Hymns of the Ages For Public and Social Worship (1891); Willis Lord, Hymns of Worship: Designed For Use Especially in the Lecture-Room, the Prayer-Meeting and the Family (1858); James Lyon, Urania: A Collection of Psalm-Tunes, Anthems and Hymns (1761); Lowell Mason, Church Psalmody: A Collection of Psalms and Hymns, Adapted to Public Worship (1831), and more; James Ormsbee Murray, The Sacrifice of Praise: Psalms, Hymns, and Spiritual Songs Designed For Public Worship and Private Devotion, With Notes on the Origin of Hymns (1869); Samson Occom, Hymns (1773 and A Choice Collection of Hymns and Spiritual Songs (1774, 1785); Charles Seymour Robinson, Songs of the Church: or, Hymns and Tunes For Christian Worship (1862, 1864), Songs For the Sanctuary: or, Hymns and Tunes For Christian Worship (1865, 1867), Psalms and Hymns, and Spiritual Songs: A Manual of Worship For the Church of Christ (1875); Philip Schaff, Hymns and Songs of Praise For Public and Social Worship (1874); Gardiner Spring, The Brick Church Hymns, Designed For the Use of Social Prayer Meetings and Families, Selected From the Most Approved Authors and Recommended by Gardiner Spring, D.D., Pastor of Said Church (1823); Nathan Strong, The Hartford Selection of Hymns From the Most Approved Authors (1799); Thomas DeWitt Talmage, Many Voices; or, Carmina Sanctorum (1891); Robert Ellis Thompson, The National Hymn-Book of the American Churches (1893); Henry Jackson Van Dyke, Jr., The Church Psalter: One Hundred and Four Psalms Arranged Under Subjects For Responsive Reading (1891); James Patriot Wilson, Sr., Hymns For Social Worship, Collected From Various Authors (1817); and Samuel Ramsey Wilson, Hymns of the Church, Ancient and Modern, For the Use of All Who Love to Sing the Praises of God in Christ, in the Family, the School, or the Church; With a Discourse on Music as a Divine Ordinance of Worship (1872); among many others.

There is much matter here for those who wish to explore how early American Presbyterians offered “the sacrifice of praise, the fruit of lips” (Heb. 13:15) in the sanctuary. The questions raised by the regulative principle of worship about the content of song to be used (inspired psalms or uninspired hymns), as well as the propriety and practicality of instrumental accompaniment, are dealt with in a whole other body of literature to which we have alluded in the past. This collection on the pages of Log College Press is drawn to a great extent from the Louis FitzGerald Benson Collection of Hymnals and Hymnody at the library of Princeton Theological Seminary, as well as from a variety of other sources. We continue to add more literature related to psalmody and hymnody often so be sure to check back here periodically as our collection grows.

Samuel Davies Was Born 300 Years Ago

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"I can tell you that I am as happy as perhaps Creation can make me: I enjoy all the Necessaries and most of the Conveniences of Life; I have a peaceful Study, as a Refuge from the Hurries and Noise of the World around me; the venerable Dead are waiting in my Library to entertain me, and relieve me from the Nonsense of surviving Mortals; I am peculiarly happy in my Relations, and Providence does not afflict me by afflicting them. In short, I have all a moderate Heart can wish; and I very much question if there be a more calm, placid and contented Mortal in Virginia.” Samuel Davies, August 1751 Letter to John Holt

Samuel Davies was 300 years ago on this day in history, November 3, 1723, near Bear, Delaware. His parents were David and Martha Thomas Davies, and were of Welsh descent. He was a "son of prayer," and thus Samuel was named by his mother for Samuel the prophet. Originally, the Davies family was Baptist, but Martha came to embrace Presbyterian doctrine and her family was put out of the Baptist church. Samuel was educated first, it is believed, by William Robinson (who would later play such an influential role in Davies' pastoral career) at the English school at Hopewell (New Jersey) Presbyterian Church, and later at the Faggs Manor (Pennsylvania) academy run by Samuel Blair, who was not only a mentor, but a dear friend. 

Birthplace of Samuel Davies, near Bear, Delaware (photo by R. Andrew Myers).

In July 1743, William Robinson preached the first Presbyterian sermon ever delivered in Hanover County, Virginia. The people of Hanover were so thankful for his ministry that they took up a collection, which Robinson ensured was used to assist Samuel's theological education. Three years later, Davies was licensed to preach by the Presbytery of New Castle. He was ordained to the ministry in February 1747, and commissioned as an evangelist to minister to the congregation at Hanover, Virginia, and surrounding counties. He traveled south with John Rodgers, and became settled in his new Virginia home, accepting a call to serve as pastor of the Polegreen Church, beginning a very fruitful ministry. Davies earned the title "Apostle to Virginia" and "Apostle of the Great Awakening in Virginia." One particular focus of his ministry involved the spiritual care of slaves within his ecclesiastical bounds.

1862 sketch of Polegreen Church before it was destroyed in 1864.

Historic Polegreen Church in Mechanicsville, Virginia, as it appears today.

He was married to Sarah Kirkpatrick in 1746. She and her unborn son died the following year. In 1748, Davies married Jane Holt, whom he called "Chara," and with whom they had six children, one of whom died at birth. Jane was the muse who inspired several of Davies' poems. 

Davies and Gilbert Tennent traveled to the British Isles in 1753-1755 on a fundraising mission for the College of New Jersey, and the journal that Davies kept to record his experiences has been published. In 1759, he was called to serve as President of the College of New Jersey, replacing Jonathan Edwards. His departure from Hanover was painful for him because of the love he had towards his flock, but he answered what he believed was the call of duty. He set about cataloguing the library and his brief tenure at Princeton was very much appreciated by students and Trustees alike. 

He was the author of some treatises, as well as many letters, hymns (he is considered the first American-born hymn-writer), poems and sermons, some of which were published in his lifetime, and which were published in several volumes posthumously. His preaching helped to inspire frontier men who were fighting in the French and Indian War, and one person in particular who was deeply impressed with his homiletics was Patrick Henry, who a generation later became one of America's greatest orators. Davies was referred to by Martyn Lloyd-Jones as "the greatest preacher you have ever produced in this country."

On January 1, 1761, Davies delivered his Sermon on the New Year on the text Jer. 28:16, stating “it is not only possible but highly probable, that death may meet some of us within the compass of this year.” Like previous Presidents of the College of New Jersey who had preached on this passage, such as Jonathan Edwards and Aaron Burr, Sr., Davies did indeed die in the selfsame year. He contracted a cold, and after bleeding by a physician, he got an infection and became mortally ill, breathing his last at home on February 4, 1761, at the age of 37. He was laid to rest at Princeton Cemetery, and his funeral sermon was preached by Samuel Finley. Thomas Gibbons, who preached a sermon commemorating Davies' life and death in England, published the first set of Davies' sermons in 1766. Notable biographies of Davies include George W. Pilcher, Samuel Davies: Apostle of Dissent in Colonial Virginia (1971); Dewey Roberts, Samuel Davies: Apostle to Virginia (2017); and Joseph C. Harrod, Theology and Spirituality in the Works of Samuel Davies (2019). 

Grave of Samuel Davies at Princeton Cemetery, Princeton, New Jersey (photo by R. Andrew Myers).

He once told his auditors: "Whatever, I say, be your Place, permit me, my dear Youth, to inculcate upon you this important instruction, IMBIBE AND CHERISH A PUBLIC SPIRIT. Serve your Generation. Live not for yourselves, but the Publick. Be the Servants of the Church; the servants of your Country; the Servants of all. Extend the Arms of your Benevolence to embrace your Friends, your Neighbors, your Country, your Nation, the whole Race of mankind, even your Enemies. Let it be the vigorous unremitted Effort of your whole Life, to leave the World wiser and better than you found it at your Entrance (Religion and Public Spirit: A Valedictory Address to the Senior Class, Delivered in Nassau-Hall, September 21, 1760 [1762])." It can certainly be said of Davies that he left the world wiser than he found it.

What's New at Log College Press? - January 10, 2023

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With the arrival of a New Year, we at Log College Press are continuing to expand the number of resources available to our readers. Last month, in December 2022, we added 524 new works to the site. We have close to 18,000 free works available at LCP.

This week we are highlighting some of the new free PDFs available as found on our Recent Additions and Early Access pages, two features provided to members of the Dead Presbyterians Society.

Some highlights at the Early Access page:

  • James Benjamin Green, A Harmony of the Westminster Presbyterian Standards (1951); and The Distinctive Teachings of Presbyterianism (1936, 1959);

  • John Murray (1742-1793), Jerubbaal, or Tyranny's Grove Destroyed, and the Altar of Liberty Finished: A Discourse on America's Duty and Danger, Delivered at the Presbyterian Church in Newbury-Port, December 11, 1783. On Occasion of the Public Thanksgiving for Peace (1784); and Grace and Glory: or, Heaven Given Only to Saints: a Sermon Preached at the Presbyterian Church in Newbury-Port, Jan 26, 1788, Occasioned by the Death of Mr. Ralph Cross on the 4th of that Month, Aetat 82 (1788);

  • Jonathan Parsons, Wisdom Justified of her Children: A Sermon Preached at the Publick Lecture in Boston, on Thursday, September 16, 1742 (1742); and Account of the Revival of Religion in the West Parish of Lyme in Connecticut (1744);

  • articles from The Presbyterian Standard concerning the debate between psalmody and hymnody by John Thomas Chalmers [Why the Associate Reformed Presbyterian Church Adheres to the Exclusive Use of the Inspired Psalter in the Worship of God (1900)]; and Alexander Jeffrey McKelway [Dr. Chalmers’ Failure (1900)];

  • and more by Francis James Grimké, some of which were contributed by a helpful reader: Colored Men as Professors in Colored Institutions (1885); Mr. Moody and the Color Question in the South (1886); The Defects of Our Ministry, and the Remedy (1886); The Secret of Power in the Pulpit (1887); The Pulpit in Relation to Race Elevation (1887); The Negro Will Never Acquiesce as Long as He Lives (1898); The Roosevelt-Washington Episode; or, Race Prejudice (1901); and The Second Marriage of Frederick Douglass (1934).

Some highlights at the Recent Addtiions page:

Also, be sure also to check out the quotes we have been adding at our blog for DPS members: Though Dead They Still Speak, including William M. Blackburn on a Sixth Point of Calvinism; A.A. Hodge on the Change of the Sabbath Day; John B. Adger on the Limits of Church Authority; Philip Lindsley on the Key to Improvement of Time; J.R. Miller on Consecration of Will; Thomas De Witt Talmage on the Christian Way of Measuring Life; Francis J. Grimké on How to Approach the New Year; William H. McGuffey, who argues that the Christian Religion is America's Religion; and T.V. Moore on The Oldest Seminary is the Family Fireside.

We appreciate hearing from our readers if they find matters needing correction, or if they have questions about authors or works on the site, or if they have suggestions for additions to the site. Your feedback helps the experience of other readers as well.

Meanwhile, please feel free to browse the many resources available to our readers in print and in digital format. The New Year is a great time to explore the many Presbyterian voices from the past. Thank you, as always, for your interest and support, dear friends, and we wish you all the very best in 2023!

Is there sunshine in your soul today? For E.E. Hewitt, the answer is, Yes!

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Eliza Edmunds Hewitt (1851-1920) was a teacher in the Philadelphia public school system when tragically she was attacked by one of her students who, it is said, smashed a slate against her back. She was severely injured and spent months in a body cast with a spinal condition during which time she wrote poetry and studied the Scriptures. On the day that her body cast came off, she went for a walk in a nearby park. One can imagine the joy she must have felt on that milestone of her physical recovery. It inspired the hymn below which speaks unequivocally that “There is sunshine in my soul today!”

Hewitt, Eliza Edmunds, Sunshine in the Soul photo.png

Readers will note that the words of this hymn were written by Hewitt, while the music was composed by John R. Sweney. Sweney himself was a well-known musician who is credited with composing perhaps 1000 songs. Sweney collaborated with Hewitt on many hymns, as he had also collaborated with John Wanamaker. Many of Hewitt’s hymns are still sung today. This one stills brings a ray of sunshine to many.